| ASMP MEETINGS
June 9, 2009
Dick Durrance:Creating Opportunities
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Ongoing:
Flashes of Hope
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Upcoming Programs
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Past Meetings
May 26, 2009
The Assistant Workshop: The Assistant Survival Guide
May 12 , 2009 Brian Smith : The Future of Editorlal Photography
April 21 , 2009
Judy Hermann: Taking Control of Your Career
March 10 , 2009
Who?What?Where, with Art Buyers
February 10, 2009
Multimedia with Paula Lerner
January 13, 2009
Pints N' Pixels at the Harpoon Brewery
December 9, 2008
Marketing Professional Beth Darmon Stone
November 18, 2008
Architectural photographer Steve Whittaker
October 6 & 7, 2008
Two day Photoshop Program with Kevin Ames
September 16, 2008
Blake Discher - " I stink at Negotiating"
June 16, 2008
Dirck Halstead
May 20, 2008
Gary Gladstone - Reaching Climax (MN)
April 8th, 2008
Travels with Walter Bibikow - an Evening off the Road!
March 18, 2008:
Peter Vanderwarker:
Getting Good Light, Getting Good Clients
February 5, 2008:
Adobe CS3 & Lightroom
January 8, 2007:
Pints and Pixels
December 11, 2007:
Stock now!
How to create, what sells
November 20, 2007:
Meet with Jody Dole
October 16, 2007:
The Photographer's Survival Guide
September 19, 2007:
Boat Cruise
June 11, 2007:
Gregory Heisler
May 10, 2007:
Leslie Burns - Creative Marketing Consultant & Coach
April 10-11, 2007:
Business of Fine Art Photography with Thomas Werner
March 20, 2007:
Full day with Katrin Eismann
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June 9, 2009
Dick Durrance: Creating Opportunities
Seeing What Is / Imagining What Can Be
In difficult times, creative vision is the key to economic survival. Dick Durrance, with stories and award winning images from photographing National Geographic assignments, combat in Vietnam, and global advertising campaigns, shows you how to focus your creative vision on the challenges you face. He ignites your passion for fresh ideas, reminding you that creative vision does not just come from seeing what is but from imagining what
can be. He inspires you to harness your gifts, develop your skills, and build the teamwork you need to create fresh opportunities. He will help to not only survive but flourish, fulfilling your dreams for yourself, your family, and your community.
Presentation highlights:
* It doesn’t matter what your gift is, what matters is what you do with your gift.
* Creativity without craftsmanship is like a million times zero. It equals zero.
* If you reach out to other people, you invite them to reach back in return. In that connection, you discover the understanding and opportunities that arise when you work freely with the people around you. Make that connection and magical things can happen.
* By stretching your imagination, you can see what is and imagine what can be.
* If you create opportunities for your community, your organization and yourself,
you honor the gift of life.
“Imagination
Location: EP Levine, 23 DRYDOCK AVE BOSTON MA 02210 - 617-951-1499 - directions
Time: Social hour & Food: 6:00; Program: 7:00
Cost: Members: $0; Students/assistants: $5; All Others: $20 (Food, beverage provided)
Only those who pre- register early will be elidgible for the door prizes, so please register as early as you can: Registration is now closed. See you there!
Sponsored by :

Location: EP Levine, 23 DRYDOCK AVE BOSTON MA 02210 - 617-951-1499 - directions
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“ Rarely have I seen a speaker so captivate an audience. Your journey in life, so eloquently delivered through the spoken word and incredible photography, cast a spell on all in attendance.”
--Stan Orr, CAE, ASAE Fellow, President, NonProfit Resources, Inc.
“ Every single one of our team loved the talk. You brought us closer together and showed us how each of us has a special gift. The message was profound, and will stay with me for a long time.”
--Jeff Temple, President, Due West Land Company.
“ Dick, you grabbed the audience’s attention at the outset and never let go. The photographs were breathtaking -- it is as if we were experiencing the adventures first hand. I want you to know that you received the only standing ovation our group has ever given! Thank you for sharing your gifts and for inspiring us to share our gifts.”
--Nancy Fenimore, Vice President of Sales and Marketing, The Seniors Blue Book
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Ongoing
Flashes of Hope
Flashes of Hope is a non-profit organization dedicated to creating uplifting portraits of children fighting cancer and other life threatening illnesses. The portraits, taken by award-winning photographers, help children feel better about their changing appearance by celebrating it.
For families of terminally ill children, it's especially important to have a portrait that preserves forever the beauty, grace and dignity of their child. We are currently in six different cities and growing rapidly. The Boston chapter launched its first shoot on September 22nd and successfully photographed six beautiful patients and their families.
If you are interested in volunteering your time, please call or email Paola Abello at 617-515-0605 or paola@flashesofhope.org
Click here to learn more
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| Upcoming ASMP Meetings
More info coming soon... |
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PAST ASMP Meetings May 26, 2009
Assistant Workshop : The Assistant Survival Guide
- Assisting : What you really must know
- Getting to know the Gear inside and out
- The Business of Assisting
- Panel Discussion with Photographers and Assistants
- Networking with other Photographers and Assistants
Get the ins and outs of assisting in a day long workshop designed to give you the basics so you can head out and gain the tough stuff out there in the real world.
The morning program will be an overview of what it's going to take to be an assistant and a hands-on overview of common photo shoot gear. Levines has graciously offered up there space and gear for this event and will be happy to help you further with any gear questions you have. This will be a great opportunity to get your hands on what the pros are using.
After lunch we'll get into the nitty gritty of the assistant biz, including what to charge and how to take that phone call. We'll end the day with a panel discussion between our Real Life assistants and a few Real Life photographers to find out whats happening in the assistant world.
Then to test you a little further we'll be having a networking hour complete with photographers and assistants so you can all get to know one another. We hope a little beer and pizza will help get the conversations flowing.
Successful Assistants will be around to answer any of your questions and help put you on the path to getting good work and learning your own tricks.
Photographers will join us at the end of the day for some networking and the panel discussion
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May 12 , 2009
Brian Smith: The Future of Editorial Photography
Editorial Photography is undergoing rapid change, yet the death of magazine photography has been greatly exaggerated. Pulitzer Prize-winning photographer Brian Smith, President of Editorial Photographers, will discuss how to maximize the creative and commercial rewards while avoiding bad contracts, stagnant rates and rights-gobbling appetites of multinational media corporations.
Smith will discuss the need to charge properly for the time and expense of digital capture and processing and why photographers and agencies may be to blame for unreasonably low caps that some magazines that some magazines have placed on digital fees. Photographers, when united, have been able to affect positive change to the industry for fair contracts paying higher fees and space usage and how photographers unwilling to turn down bad deals can send it all tumbling down.
Seminar Topics:
• How to get and keep the attention of photo editors and art directors at top magazines
• How production value can make your work stand out
• What are the best things you can do in a slow economy
• How to maximize re-licensing, syndication and reprint revenue
• How will the shift to online content will affect rates
• What you should know about editorial that nobody told you
The Presenter:
Brian Smith’s first magazine photograph appeared in Life Magazine when he was a 20 year-old student at the University of Missouri. Five years later he won the Pulitzer for photographs of the Los Angeles Olympics. Based in Miami Beach, his work has won awards in World Press Photo, American Photo, Pictures of the Year and Communication Arts Competitions and has appeared on hundreds of magazine covers including Time, Forbes, Business Week, Sports Illustrated, and New York Magazine. Smith is one of Sony's Artisan's of Imagery. His work can be seen at: www.briansmithmiami.com
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| April 21 , 2009
ASMP NE Chapter presents:
Judy Hermann: Taking Control of Your Career
Are you satisfied with the work you're creating? Do your clients appreciate what you bring to the table? Are you struggling to adapt to a changing marketplace and a down economy? Is your business taking you where you want to go?
Judy Herrmann will share real-world tactics for developing and implementing a plan that will take your career where you want it to go. You'll learn how to achieve your creative and financial goals, anticipate and adapt to business and technological change, and build a satisfying and stable photography business. Whether you're just starting out or have years of experience, the tools and techniques shown in this program will give you greater control over your future.
Seminar Topics:
Get yourself moving in the right direction
Complete an honest analysis of your career
Prioritize your goals and activities
Exploit your strengths, minimize your weaknesses
Anticipate and successfully navigate change
Case studies show you how this really works
The Presenter:
Judy Herrmann of Herrmann+Starke specializes in digital still life and lifestyle photography for advertising. Her work has appeared in Lurzer's Archive, Graphis, Communication Arts, the How International Design Annual and Pix Digital Annual. She has been recognized as an Olympus Visionary since 2000. She lectures extensively about digital photography and offers consultations on building a successful photography career. A past president of the American Society of Media Photographers, she received the United Nations' International Photographic Council's leadership award in 2008.
"Judy is inspirational, organized and perfect!"
— Cindy Schafer
"Very thorough and generous."
— Greg Leshé
"Precise and to the point — wonderful information"
— Tony Arrasmith
"Thought provoking and honest"
— Gary Buth
One-on-one Consultations
With nearly 20 years of experience running a successful photography business, Judy Herrmann can show you how to take your photography career to the next level. She'll help you identify and prioritize your career goals, map out a plan for achieving them and address any immediate business issues or concerns. Use Herrmann as a sounding board or an advisor. She'll offer clear, objective insights that will help you maximize your strengths, overcome your weaknesses and get you started down the right path for where you want to go. Consultations are ideal for any photographer — new or established — who's interested in building a creatively and financially satisfying photography career. |
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| March 10 , 2009
ASMP NE Chapter presents:
Who? What? Where?
Who is buying Photography? What are they looking for? Where are they finding it?
This panel discussion with top industry creatives and moderated by Selina Maitreya, is destined to be revealing as well as informative. In a time of economic uncertainties, where is our industry headed and how do photographers adjust to stay in business? We have invited a diverse panel of six industry creatives ranging from large international ad agencies, to the boutique and niche, with a group that includes creative directors, art buyers and producers as well as a graphic designer, all of whom are willing to share their insights and thoughts on our industry now.
After introductions to the panelists, their backgrounds and visual examples of their agencies’ work, Selina will ask the type of questions that are so pertinent today, such as:
What are the big challenges for creatives and photographers in the current climate?
What type of work are you looking for, and has it changed in a significant way this year?
What new trends are you seeing and what has become passé?
What makes a photographer stand out from the crowd in today’s saturated market?
How do you find new talent?
What type of photographer’s promotion appeals to you and do you have a preference?
What makes you bookmark a website?
Do you use stock and if so, how often and where do you go to find it?
Do you prefer dealing with an individual photographer or an agent?
And there will also be ample time for the audience to ask questions during the discussion.
Read the biographies of the participating panelists. |
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| February 10 , 2009
The Art and Commerce of Multimedia with Paula Lerner
Combining your still photography with audio or other media can strengthen your message and your style.
Well Adding sound to still images to create multimedia features can make for powerful storytelling. It also opens up new opportunities for still photographers who are willing to expand their skill set and embrace new media. In this presentation Paula Lerner will share work and discuss making the transition from shooting stills alone to combining still images with audio to produce multimedia narratives. She will talk about the basics of multimedia as well as show how this medium can be both a profitable business option and an outlet for personal projects.
Paula Lerner is an award-winning photojournalist and commercial photographer whose passion for photographing people has taken her from the Amazon to Afghanistan. Since 1985 she has been commissioned by a wide variety of national and international clients in addition to pursuing her own projects. Her client rooster includes Smithsonian, the washingtonpost.com, Harvard, Children's Hospital Boston, Boston University and Business Week. Paula has experience in producing major multimedia features for journalistic venues as well as applying the same audio/visual storytelling skills to presentations for business and institutions. Although she continues to shoot still assignments, more and more of her time is focused on producing multimedia for both journalistic and commercial clients. She is currently at work on a long term project on women in Kandahar, Afghanistan. More information on Paula and her work is available at http://www.lernerphoto.com. |
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January 13, 2009
Pints N' Pixels New England Style at the Harpoon Brewery
Thanks for such a great turnout the party was wonderful.The slideshow was a hit and we couldn't have done it without everyone's participation.
Two great big Thank You's to Harpoon Brewery for supplying the venue and the beverages for the evening, and to Porters Bar and Grill on Portland St. for the wonderful food. |
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December 9, 2008
Putting Your Business in Focus
A Strategic Approach to Marketing Photographers
What is the best way to advertise?
How do I set myself apart from all the competition?
How much time and money should I expend to market my business?
What do I need to do to grow my business in a down economy?
Like many professionals, photographers are often expert at what they do, but find the prospect of marketing their business daunting. Taught by Beth Darman Stone of ClairStone Communications, Putting Your Business in Focus: A Strategic Approach to Marketing Photographers will help answer these questions. We’ll examine your business and industry, your clients and their experience of your business, your competitive environment, and the tools available to your industry. The seminar is designed to help you develop a strategic approach to creating a marketing and communications plan that works for your business.
Marketing is everything a company is and does, a phrase commonly cited by Beth and her partner Lisa Clair. Want to learn more?
About our company:
ClairStone Communications is a strategic marketing and communications partnership offering small to mid-sized companies a full spectrum of marketing, advertising and public relations services. Owned and operated by Lisa Clair and Beth Darman Stone since 1988, the company has grown to include expertise in a variety of service-oriented domains, such as home care (interior designers, painting companies, contractors, architects, realtors, garden designers), healthcare (in-home care services, assisted living facilities, skilled nursing centers, message therapy), retail, and not-for profit organizations. When small businesses need a structured, goal-oriented strategic approach to communications, they rely on ClairStone’s wisdom, experience, practical style and personalized service. |

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November 18, 2008
Steve Whittaker - Architectural Photography:
It's an art form but it's also a business
Steve Whittaker is an architectural photographer based in the San Francisco Bay Area, specializing in Architecture, Interior and Aerial Photography. His clients range from architects, interior designers, developers corporate direct, hospitality, advertising agencies and editorial.
The business of Architectural Photography is an aspect that constantly requires attention. One of the goals from this event is to empower photographers by gaining a better understanding of contractual issues and dealing with negative terms and conditions. We will cover estimating, licensing issues, contractual issues, copyright, project coordination, and practical experiences, both with lighting and assignment issues in general during more of his challenging assignments.
Whittaker Photography began in 1980 in Belmont, CA. After the 1989 earthquake, Steve moved the studio to Foster City, CA. He graduated from San Jose State University with a BA in Advertising and minor in graphic design. While working as a photographer and graphic production artist, he attended evening classes at the Academy of Art in San Francisco until 1977, where he ended up as a part time instructor of Architectural Photography from 1992-2001 while running his studio.
Steve joined ASMP back in 1983 and became active as a board member in 1995. At that point, he started the Northern California chapter’s educational outreach program. This program covers business practices, business ethics and how ASMP helps to advance the photographic community. In 1999-2000 he was the Northern California Chapter Co- President. Steve remains active with the ASMP Norcal board as an active member of the chapter’s advisory board, encouraging both members and emerging photographers to get involved and help advance ASMP, ASMP Architecture and Northern California Chapter.
“I find it extremely rewarding, in being part of a movement that can offer changes in our industry and help advance our profession. In addition, I have enjoyed being part of a growing organization that empowers photographers to be stronger in business practices as well as advancing their techniques”.
See more of Steve's work at www.whittpho.com/ |
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October 7-8, 2008
Kevin Ames - Photoshop & Lightroom 2
Bulletproof workflow—Practical Archiving for Photographers
Thinking Photographically On-the-Fly Lights! Camera! Photoshop CS4!
Lightroom 2.0 Importing, Editing, Enhancing, Archiving and Output
October 7, 2008 6-9pm - Bulletproofs workflow with Lightroom 2
The memories of a lifetime, homecoming, parties, graduation, vacations, marriage, births, first steps and of course paying photographic jobs—the list is infinite, are now stored on hard drives. Hard drives offer an easy and seemingly solid means of storing digital photographs. Unfortunately this is at best a false sense of security. The truth is every hard drive will fail eventually; most likely destroying all of the data--your hard won digital photographic negatives for instance--on them. Compounding the problem is that most of us have these precious memories on several hard drives. The challenge is to consolidate your digital negatives, catalog them and make bulletproof copies.
Get control of the digital negatives on your hard drives and memory cards using Adobe Lightroom and the Bulletproof Archiving System. Learn how to rename, enhance and add the information (metadata) to your RAW or JPEG digital photographs using Lightroom to create and manage a truly bulletproof archive that can survive hard drive crashes, fires, floods, hurricanes and the Apocalypse (ok not the Apocalypse. All of the others though.)
October 8, 2008 9am-6pm - Photoshop & Lightroom
A day of photographic possibility + Intro to CS4
Lightroom has become the backbone of many photographer’s businesses by being a one-stop mini lab that also sorts, edit, enhances and delivers the picture. Kevin explains ways to multi-task in Lightroom 2 during import, Efficient work in the Develop module as well as how to show your work in Slideshow, Web and Print.
Layers, Layer Masks and Unlimited Undo's Forever
Once a Photoshop file is saved and closed, the history is gone forever and so are your undo's. Learn how to replace those destructive dialogs under Images adjustments and pixel killing tools like the eraser with layers, adjustment layers, layer masks, layer groups and Smart Objects. This comprehensive tour-de-force through Photoshop’s most powerful palette will fill you with ideas that will not only take your post-production techniques to the next level you’ll do them so you can always remember what you did and be able to change it even years later. If you use Photoshop this will change the way you work forever!
Working in RAW with Smart Objects
Take the power of RAW files a step further. Move the RAW workflow right into Photoshop using Smart Object to control contrast, extend dynamic range as well as backup your original digital negative in your working Photoshop Document. Discover the versatility of Camera Raw in the layers palette. Understand how RAW files work and how this translates into control and creativity.
High End Retouching for Digital Photographers
Retouching is so much more than dust spotting and fixing scratches. It is an extension of the photographic vision. Learn how to create a retouching strategy map so you and your subject agree on the work to be done and how to use the strategy map to make sure the all the work gets done.
I shoot people and places. This session demonstrates techniques for softening lines, removing blemishes, smoothing skin and eliminating wrinkles under eyes and elsewhere.
You’ll learn the ins and outs of enhancing beauty, how to brighten eyes, remove discoloration from and whiten teeth. You’ll discover methods for opening lazy eyes, fixing cracked lipstick and other makeup flaws as well as how to remove hair in front of eyes, body sculpting and more. Switching gears to interiors I show how my photography is an extension of my vision of how a scene translates into a digital file and what I shoot to make certain I have all the parts to complete the job with retouching in Photoshop.
Photoshop CS4
Learn more about the latest versions of Adobe Photoshop and Adobe Photoshop Lightroom and get familiar with the new features that make them the gold standard in digital imaging. Adobe Photoshop CS4 software offers more intuitive access to its unrivaled power for greater editing freedom and significant productivity enhancements so you can composite images and achieve amazing results more efficiently than ever before.
About Kevin Ames
Kevin Ames is a commercial photographer immersed in creativity. His photographs have appeared in the Wall Street Journal, Time, Newsweek, in and on the covers of Professional Photographer, Photoshop User, Atlanta Sports and Fitness, Jezebel as well as books, brochures and websites.
Kevin also writes the popular Digital Photographer’s Notebook column for Photoshop User magazine. He has authored four books on digital photography including one for the extremely popular Dummies series.
He teaches photographic and digital imaging classes and workshops across the United State, Canada and Europe. His studio and home are located in Atlanta, Georgia.
See more of Kevin's work at www.amesphoto.com |  |
Tuesday, September 16th, 2008
Blake Discher - " I stink at Negotiating"
Do you panic when you have to discuss money with a client? Do you talk too fast, ramble or sound indignant? Do you give in too fast to a lower price or broad licensing terms?
Blake Discher will teach you the steps to become a top negotiator. This critical skill can change your business in the most profound way — more and better work! Blake will walk you through real world scenarios, show you how to listen and talk to prospects turning them into loyal clients.
"Absolutely amazing and dead on for business."
— Joana Gribko
"Blake was inspirational, informative and amusing!"
— Terra Chandler
"Blake's tell it to you straight style is perfect."
— David Hillegas
"Incredible information — Blake has removed the smoke and mirrors of our business."
— Alicia Eschwege
"I now know how to put my foot down respectfully."
— Julie Birkemeir
Seminar topics:
- Learn how to prepare for a negotiation.
- Researching the client.
- Increasing your clout.
- Listening skills.
- When is it time to walk away?
- The follow-up is critical.
Detroit photographer Blake Discher specializes in people photography for leading editorial publications and Fortune 500 corporations for advertising and annual reports throughout the world.
Blake's fascination with photography began in the eighth grade and he's been hooked ever since. He unselfishly shares his knowledge with students and other photographers through his involvement with the American Society of Media Photographers, most recently as an educator in ASMP's successful Strictly Business 2 conferences.
It's Blake's keen ability to make subjects feel at ease in front of the camera that takes him around the world to produce award-winning photographs for clients such as General Motors, Daimler Chrysler, American Airlines and Oracle.
A professional photographer for 20 years, he shares his home with his wife Lesley and his four year old son Blake. When not working, he's usually tinkering with one of his British-made vintage Triumph automobiles. His work can be seen at www.fireflystudios.com. In addition, Blake's other company, www.go-seo.com, consults for small businesses in search engine optimization. |

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June 16th, 2008
Dirck Halstead - EVERYTHING IS CHANGING..HOW TO SURVIVE THE NEXT WAVE
But as long ago as 1997, he saw that the industry was about to change in a fundamental way. Paternalistic attitudes at magazines were being replaced by hardheaded MBAs, who had no personal relationships with photographers. Space started to disappear from magazines. The wire services started to become the prime asset for editors, rather than contract or freelance photographers.
And all this started to happen long before the Internet turned into the World Wide web/
Today, magazines and newspapers are moving their content to the Web in order to survive. But the Web has different requirements than print.
Dirck Halstead, who has become one of the most prominent futurists in photojournalism (AMERICAN PHOTO named him the 11th most influential photographer in the business in 2007), will address the changes, and the strategies that photographers will need to master in order to survive.
More about Dirck:
Dirck Halstead is the Editor and Publisher of The Digital Journalist. Dirck started in photojournalism when he was in High School. At the age of 17, he became LIFE Magazine's youngest combat photographer covering the Guatemalan Civil War. (LIFE had no idea how old he was). After attending Haverford College, he went on to work for UPI for more than 15 years, covering stories around the world. In 1972 he accepted a contract for Time Magazine, and for the next 29 years covered the White House for them. In 1992 he played an instrumental part in the formation of Video News International (VNI), which started what is now the Platypus movement, allowing still photojournalists to cross the barrier between print and television. He is now a senior fellow in photojournalism at the Center For American History at the University of Texas. He has won the NPPA Picture of the Year award twice, the Robert Capa Gold Medal for his coverage of the fall of Saigon, and two Eisies. In 2002 he received the lifetime achievment award from the White House News Photographers Assn., and in 2004 he was honored with the Joseph A. Sprague Award for lifetime achievement and service to photojournalism, considered the highest honor in the industry. In October of 2007 he was awarded the Missouri Honor Medal by the University of Missouri for "Distinguished Service to Journalism". Halstead is on the board of directors for the Air Force 1 Museum.
See Dirck's Portfolio at AmericanPhotojournalist.org |
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May 20th, 2008
Gary Gladstone Finds "It"
Deeply entrenched in Corporate Photography, a specialty that he helped define in the 70's, Gary Gladstone found himself feeling a little disenchanted. He was making money, but the fun was gone. The passion was on vacation, work was grinding, and something was missing.
In a discussion on the PhotoPro Forum, about the loss of this passion, many photographers moaned about having lost "It." "It" was described as that sense of creative urgency and passion that drove so many of us to make pictures for a living.
Gary hadn't had those feelings on a regular basis for a long time because the business and marketing of photography had taken over. He decided it was time to see if those great pit-of-the-stomach feelings were still alive.
He developed a self-assignment that blossomed into an amazing new direction where fun and passion were a daily thing. Starting with a week-long visit to flea markets and learning how to toss out all the rules, "musts" and client constraints the project eventually ended up as two coffee table books and a T.V. show pilot.
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April 8th, 2008
Travels with Walter - an Evening off the Road!
Join Boston-based travel photographer Walter Bibikow to hear tales from the road and to share the experience of his latest road trip through China this past February and March.
Walter has been shooting internationally for over thirty years and now shoots exclusively for stock photo agents like Getty, Corbis, Mauritius, Jon Arnold Images, and a slew of others. He hasn't done an assignment in over 14 years.
In the course of plying his craft he has been arrested by the KGB, robbed in Italy, rained on in Spain, punched in the face by a disgruntled Montenegran, and was forced to pass a very painful kidney stone in the jungles of New Caledonia. All of those events happening, thankfully, not on the same trip!
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March 18, 2008
Peter Vanderwarker: Getting Good Light, Getting Good Clients
Peter Vanderwarker studied photography at Phillips Andover Academy and he
has a B. Arch. From the University of California, Berkeley. He was a Loeb
Fellow at Harvard University in 1996-1997.
His fifth book: Beacon Hill, A Living Portrait, will be out in the fall.
His photo clients include the Boston Red Sox, Architectural Digest Magazine, and the Fogg Art Museum.
Other books include The Big Dig: Reshaping an American City, which he wrote and photographed.
With Robert Campbell, he is co-author of Cityscapes of Boston: An American City Through Time, published by Houghton Mifflin in 1992.
His work is in major corporate and museum collections, and he is the recipient of grants from the National Endowment for the Arts and from the Graham Foundation.
Last spring, he led a two week photographic expedition to Bhutan. He is on the visual arts faculty at Codman Academy Charter High School in Dorchester.
In June, he will ride his bicycle from Boise, Idaho to the Pacific Ocean.
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Tuesday, February 5, 2008
Adobe CS3 and Lightroom
Lightroom is the professional photographer's essential toolbox, providing one easy application for managing, adjusting, and presenting large volumes of digital photographs. Photoshop is merely a click away, ready to accelerate your path from imagination to imagery with timesaving productivity enhancements, unrivaled editing power, and breakthrough compositing capabilities. Tight
integration enables you to jump from Lightroom to Photoshop - and back
again - with ease.
Presented by: Geoff Scott
A Senior Computer Scientist at Adobe
Systems since 2001 Geoff has worked in the Digital Imaging Group on Photoshop and Photoshop Elements. As an internal tester, he began using Lightroom a year before the product was available to the public. An enthusiastic photographer, he has studied with Tony Corbell, Moose Peterson, Joe McNally, Vincent Versace,
Rick Sammon, and Greg Gorman.
Import your entire shoot into Lightroom
Manage, adjust, and present large volumes of photographs with Lightroom
In Lightroom, select one or more images for advanced editing
Retouch, refine, and composite in Photoshop
Changes made in one application are reflected in the other
Manage your entire workflow with the integrated tools that are best suited for the job
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© Gabrielle Keller
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January 8, 2007
Pints and Pixels - Holiday Party and Photo Show
We celebrated the past year with good food, beer and great photos from our members.
Thank you all for participating!
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 © Steve Borack
© Jim Flynn
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December 8th, 2007
Stock Now
Join us for an exiting evening on the hot topic of stock
Future trends
Meg Asaro, co-founder of Spark Visual Research, a company that provides Market Research for Image Makers. Asaro has nine years experience in branding and visual research, working for agencies such as nickandpaul, Wieden+Kennedy, The Sterling Group and Toniq. In the Stock Photography industry she worked as the Creative Strategist for Photonica for four years. Her specialty is infusing culture and consumer insight into brand development to ensure relevancy today and more importantly, tomorrow. Some of the brands Asaro has worked on include: Coke, Pepsi, P&G, Unilever, Jetblue and Target.
What's hot now
Sabine Wieger, Senior Account Manager at Corbis is responsible for managing all client relationships in the area of corporate clients, direct marketing agencies, and advertising agencies, covering the US East Coast region. Prior to joining the Corbis US sales team in 2004 she worked as Country/General Manager for the Austrian office, which she founded in 1999.
What's in it for me
Zave Smith, a Philadelphia based photographer, is the Vice President of the Stock Artist Alliance. His clients include, Disney, Merck, The Vanguard Group, McDonalds, and Comcast. His stock work is represented by Corbis, Jupiter Images, Uppercut Images, and AgeFotostock. Zave has won many awards and his work has been featured in Communication Arts, View Camera and last month in Rangefinder.
He will share his insights into the current state of the stock industry.
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November 20th, 2007
Jody Dole presents his work
New York Fine arts and Advertising photographer Jody Dole
Fine arts and advertising photographer Jody Dole gained commercial success with his highly original worldwide advertising campaign for Smirnoff Vodka with McCann Erickson Advertising in New York. Since that time he has become one of the photography worlds rising stars, earning international recognition including Nikon's Legend of The Year and awards from Communication Arts, Applied Arts,The RX Club, Advertising Photographers of America, Art Direction, PDN/Photo Design, The Art Directors Club of New York, Advertising Club of Connecticut, the Blackbook Awards, The New England Museum Publications Design Award, Pantone Color Excellence Award, The Mobius Award, American Photography and the Graphis Photo, Design & Poster annuals.
Jody Dole pioneered the first digital photography used in advertising and created the first exhibition of wide format, digitally printed still life photographic images with Nikon, Inc. and The Image Bank displayed at Nikon House at Rockefeller Center in 1992. Dole's work has been profiled in photo, design and art publications both here and abroad including a feature in Communication Arts, and cover articles in American Photo,Concepts in Computer Design, Studio Photography & Design Magazine, Photographers Forum, Graphis magazine, View Camera, Digital Imaging, Photo Insider, Digital Photo Pro, Petersens Photographic, Foto magazine / Moscow, Nikon World, Step by Step Graphics, Camera & Darkroom, Digital Imaging, PDN Masters of Photography series, , Ad Week and Advertising Age. The New York Times called his images "masterpieces of photography, design and printing." Jody Dole attended School of Visual Arts in Manhattan, Pratt Institute in Brooklyn, NY and holds an honorary Masters Degree in Photographic Science from Brooks Institute in Santa Barbara, California.
Dole's elegant blend of art and commerce may be seen on behalf of such clients as Price Waterhouse. Bausch & Lomb, Raymarine, McGraw Hill. Estee Lauder, Aramis, Dow Jones, Federal Express, Pfizer, 3M Company, Epson America, Hatteras Yachts, United Technologies, Time Warner, Eastman Kodak, Nikon, Inc. Johnson', Gillette, Papermate, Ericksson, RJR, Ralph Lauren Fragrances, Martell Cognac, Deloitte&Touche, Jaguar, Citibank, Dupont, Seagrams,KPMG,Panasonic,AIG,Unisys,Lego Toys, Grolsch, Proctor&Gamble, Esquire, Brown&Williamson, Simpson Paper, Saks Fifth Avenue, Philip Morris, AT&T,Getty Images, State of Connecticut Tourism, Connecticut Grown Dept. of Agriculture, Connecticut Magazine, Time Magazine, Fortune, GQ, The New York Times Magazine, Soundings Magazine, Maine Boats & Harbors, Etc.
Merging photography with state of the art high resolution digital technology, Dole's work is noted for it's unique synthesis of art and commercial imagery which he brings together in often unusual combinations of creative lighting and subtle backgrounds.
Jody Dole is known worldwide as an originator of fine art archival printing techniques. His latest work is featured in the Graphis Photo and Poster annuals. Taking a break from digital technology he is currently working with 19th century large format wet plate tin type photography and preparing a volume on the history of photography beginning in 1839 for Graphis publications. He maintains a studio in Manhattan and resides in Chester, Connecticut where he has just completed a back to the future, state of the art digital imaging facility complete with a wet plate darkroom housed in a 5000 square ft. antique post & beam barn.
Read more about Jody Dole on his website ---> | 
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October 16, 2007
The Photographer's Survival Guide (for Today's Market)
with Creative Consultants, Suzanne Sease & Amanda Sosa Stone
Today's photography assignment world is changing dramatically. With so much world devastation, the dot-com market going bust, stock vs. assignment, etc... how is a photographer to keep up?
Suzanne Sease and Amanda Sosa Stone are presenting a solution: The Photographer's Survival Guide (for Today's Market). This program is for all levels of photographers - those who are just starting and those who have been in the business for years and want to take it to the next level. The program is a 2 hour presentation and each participant will receive a "Survivor's Guide". The Guide covers everyday photography business basics to those uncomfortable "what do I do" moments in our industry.
The basics include information on:
who to market to
how to present it
copies of estimates expected by clients
copies of invoices that are expected when the project is finished
and everything in between! (like crew expectation to making the client feel like, well, the client.)
The "what do I do" moments include real life situations that arise in the industry. The Survivor's Guide is also a resource guide with helpful information including:
correct usage terms
portfolio makers
website builders
printers & fulfillment houses
deadlines for important award shows (crucial to enter for greater success)
The bottom line... this is the photographer's guide on how to survive in this industry.
Read more about Suzanne & Amanda --->
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June 11, 2007
An evening with Gregory Heisler
Gregory Heisler is a New York-based photographer who is renowned for his technical mastery and thoughtful responsiveness. His enthusiasm, curiosity, and drive are manifested in his hands-on approach to all aspects of the image making process.
His iconic portraits and innovative essays have often graced the covers and pages of many magazines, including LIFE, ESQUIRE, GENTLEMEN’S QUARTERLY, GEO, SPORTS ILLUSTRATED, ESPN, and THE NEW YORK TIMES MAGAZINE, yet he is perhaps best known for his more than seventy TIME cover portraits. He has also photographed advertising campaigns for such clients as American Express, Benson & Hedges, Dewar’s, Merrill Lynch, Nike, and Zocor.
Private portrait commissions are another important focus of Gregory’s work. The first photographic portrait for New York’s City Hall was his lithographic print of Mayor Edward I. Koch. The New York Public Library followed suit, commissioning a portrait of Marshall Rose which is presently exhibited in the Library’s Main Branch at Forty-second Street and Fifth Avenue. Most recently, New York Mayor Michael R. Bloomberg commissioned a portrait by Gregory
which now hangs in the atrium of the Johns Hopkins Bloomberg School of Public Health in Baltimore, Maryland.
As a sought-after speaker and educator, Gregory has taught at the International Center of Photography, the New School for Social Research, The School of Visual Arts (Master of Fine Arts Program), Parsons School of Design, The Smithsonian Institution (Masters of Still Photography Series), and the National Geographic Society, as well as scores of workshops and seminars throughout the country and overseas.
Among the kudos he has received are the Alfred Eisenstadt Award, and the Leica Medal of Excellence. Gregory has been profiled in AMERICAN PHOTO, COMMUNICATION ARTS, ESQUIRE, LIFE, and numerous industry periodicals.
www.gregoryheisler.com
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May 10, 2007
An evening with Leslie Burns - Dell'Acqua
Creative Marketing Consultant & Coach
Burns Auto Parts--Consultants
Beyond PMS:
How to overcome fear, find your best market, and achieve your goals
Building on her very popular New Treatments for PMS (Panic Marketing Syndrome) presentation, internationally-known consultant Leslie will talk on several issues blocking photographers (and other creative professionals) from being more successful. Her presentation will have Keynote-based visuals and a downloadable PDF outline available ahead of time to facilitate comprehension and note-taking. These tools, combined with Leslie's humorous-yet-thoughtful delivery and an openness to answer questions on all topics, result in an evening of learning and the acquisition of helpful ideas that can be implemented the very next day.
Download Beyond PMS Notes --->>
Some topics to be covered include:
time management for the "flaky" creative
rational goal setting
how to turn goals into action
fear and its painful results (like lowballing)
understanding and finding your best market
effective tools
using tools more effectively
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April 10-11, 2007
Business of Fine Art Photography - Thomas Werner
It's Your Business event
Business of Fine Art Photography, Session 1: Analyzing the Market
What is a fine art photograph? Where do you market your fine art work? This seminar explains how you reach the market, present your work, and create marketing materials and a web site. It also explores the process of building a relationship with a gallery, and what to expect if you do get an exhibition.
Business of Fine Art Photography, Session 2: Strengthening Your Vision
Building on the market analysis developed in session 1, held the previous evening, this morning session delves deeper into the material. Session 1 is a prerequisite for participating in Session 2.
Business of Fine Art Photography, Session 3: Portfolio Review
As a capstone to the information presented in the earlier Business of Fine Art Photography, Session 3 devotes the afternoon to Individual reviews of Fine Art portfolios. Seating is limited. Sessions 1 and 2 are both prerequisite to this process.
Besides registering via our website, you can register by calling ASMP at (215) 451-2767, ext. 0. Or you may download a registration form (PDF) and fax it to (215) 451-0880. Pre-registration must be received 2 days prior to event. Registration on the day of seminar is an additional $10.00.
The program:
The world of Fine Art Photography is changing as rapidly as the commercial market place. During this time of change, it is important to develop multiple revenue streams to support your business. It is also important to keep your vision fresh and alive. In the evening seminar (Session 1), Thomas Werner, a New York gallerist and professor of art (and a founder of ASMP's Fine Art Specialty Group), explains how creating and properly marketing a body of fine art work will help you achieve these goals.
Session 2, the next morning, expands on the concepts from Session 1. The central topic is editing and marketing fine art photos. Thomas discusses such factors as the appropriate market, cohesiveness of your work, the flow of each edit, how to market your fine art work and the appropriate places to do so.
Session 3 consists of one-on-one review of your work. Each review lasts 15 minutes. Participants should bring approximately 12 to 20 prints to the session. (Sessions 1 and 2 are prerequisite and are included in the registration fee.) Please note that a limited number of time slots are available - reserve yours early.
The presenter:
Thomas Werner graduated from the University of Wisconsin with a BA in Communications and an emphasis in film, an also from The Art Center College of Design in Pasadena with BA in Photography and a film minor. He was a scholarship student at The Art Center as well as the speaker at graduation. Werner currently resides in New York where he is the owner of Thomas Werner Gallery in Manhattan's Chelsea art district and the Director of the BFA program in Photography at Parsons The New School of Design.
Werner also works as a commercial and fine art photographer with a studio in Manhattan, his clients have included: Bank of America, Swiss Re, Courvoisier, Twentieth Century Fox, COACH, The New York Times, E! Television, William Morrow Publishing, Glamour, Face, Forbes and People Magazine, among others. Werner was elected as a Director to the ASMP National board after serving three years as the President of ASMP's 800-member New York Chapter. He is the co-founder of ASMP's nationwide Fine Art Specialty Group, the former President of the ASMP Foundation and the chairman of the Strategic Research committee.
Werner is currently touring internationally lecturing on The Business of Fine Art Photography, Contemporary Video Art and the Future of Video and Installation, and The Difference Between Commercial and Creative Vision. He has worked as a photography consultant for COACH and a consultant for Rodale Publishing on special projects regarding contracts, licensing, negotiations and image usage. His fine art work has been exhibited in galleries around the country, and is included in numerous private and corporate collections.
Thanks to Adobe Systems for support and sponsorship of ASMP's educational seminars.
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March 20, 2007
Katrin Eismann
Your Vision Comes First
Join Katrin Eismann - the Photoshop Diva, as she reveals the newest features and techniques of working with Adobe Photoshop CS3 and Adobe Photoshop Lightroom.
Katrin will show you how to tame the beast of countless files in less time by working non-destructively with adjustment layers, blending modes, creative raw processing, and Smart Filters. Katrin will concentrate on the newest features in Adobe Photoshop CS3 photographers have to know including the latest release of Adobe Camera Raw, the new black and white controls, layer stacking, and the much improved Photo Merge and HDR features. Katrin will also discuss how and when to work with Photoshop and Lightroom to increase your productivity and expand your creativity.
Katrin Eismann is a distinguished artist, teacher, and author on the subjects of imaging, restoration, retouching, and the impact of emerging technologies upon creative professionals. She received her BFA degree in Photographic Illustration from the Rochester Institute of Technology and her MFA degree in Design from the School of Visual Arts. She is the author of Photoshop Restoration & Retouching and Photoshop Masking & Compositing and co-author of Web Design Studio Secrets, Adobe Photoshop Studio Secrets, and Real World Digital Photography. Katrin is the Chair of the Digital Photography department at the School of Visual Arts in New York City.
www.katrineismann.com
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Programs from Previous Years
Julia Ahlman Sanders
Amy Frith
Cary Wolinsky
Harbor Cruise
Frank Siteman
Barbara Bordnick
Constantine Manos
George Simhoni
Mary Virgina Swanson
Clint Clemens
Russ Quackenbush
Steve McCurry
Sandro
Chris Rainier
Mike Weymouth
Hunter Freeman | |
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